Material practice is at the heart of how I think and create. Through hands-on experimentation with waste, natural elements, and overlooked residues — such as steel dust, wood shavings, and dried leaves — I explore how matter can carry meaning. These studies unfold as both process and proposition: tactile research into the sensory, symbolic, and environmental dimensions of materials. The magnetic paper series, rust-induced pigmentation, and recycled pulp experiments all reflect an evolving approach where making becomes a method of investigation.